New from Nicholas Alahverdian: Semiotics in Autumn Rhythm

New from Nicholas Alahverdian

For Nicholas Alahverdian, a Harvard scholar with a vast array of research interests and focal areas, Jackson Pollock’s work was that of a genius.

Nicholas Alahverdian 2019
Nicholas Alahverdian Copyright 2019

Jackson Pollock’s painting style was not merely improvisational – it also incorporated characteristics reminiscent of those artists and authors who engaged in the practice of writing and/or painting in the style of stream-of-consciousness.

Nicholas Alahverdian
Nicholas Alahverdian

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Drip after drip, smear after smear, mixing the two – these techniques cumulatively defined the greatness of his work.

Nicholas Alahverdian
Nicholas Alahverdian

Loyal to his art and chronically dissatisfied with his performance, he lengthened his artistic stride to further his aesthetic interpretation of the world in which we live.

Nicholas Alahverdian
Nicholas Alahverdian

About Nicholas Alahverdian

Nicholas Alahverdian was born and raised in the Boston metropolitan area. Orphaned at the age of 14, Nicholas was a bookworm and aspired to become a lawyer, journalist, and an elected official. Nicholas said “I found that each profession complemented the other, and as one grows in influence in one field, they simultaneously acquire knowledge to assist intellectual advancement in variant fields. Law, journalism, and politics have a symbiotic relationship with one another, and being involved in those three fields as a professional would epitomize being a public servant.”

Nicholas Alahverdian, About the Author
Nicholas Alahverdian

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At Harvard, he concentrated in comparative literature and political science. His professors and advisors included Henry Louis Gates, Jr., John Hamilton, Theo Theoharis, and Thomas Underwood.

Alahverdian has taught political science, literature and creative writing as an adjunct lecturer at Harvard University and other institutions. Nicholas taught courses on political advocacy in the 21st century, with a particular focus on how multiple factors are damaging public faith in elections. and in some cases, democracy in its totality. Nicholas has long been a key figure in helping companies and individuals adopt a fresh approach to campaigning and lobbying, discarding outdated tactics and restructuring for greater success and revenue generation.

Nicholas Alahverdian worked on many political campaigns, including stints with Cranston Mayor John O’Leary, State Representative Raymond A. Hull, East Providence Mayor Bob DaSilva, and many others. Nicholas Alahverdian’s interests outside of work include poetry, the opera, and reading.

Visit https://www.nicholasalahverdian.com for more information

Essay: Semiotics in Autumn Rhythm

By Nicholas Alahverdian
The Beauty of the End, the Hope of the Beginning 
The art of Jackson Pollock was critical to the growth and development of the Beat Generation.  His approach to abstract impressionism influenced his fellow painters, as well as writers and poets.  The visual complexity of his artwork served as a conduit through which he was able to relate the chaos of his generation to viewers of his paintings. His action paintings, including “Autumn Rhythm,” exhibited his command of the abstract expressionist form. My essay will focus on the creative process and the implications of this unique piece of art.
Obviously, Pollock’s work was that of a genius.  His painting style was not merely improvisational – it also incorporated characteristics reminiscent of those artists and authors who engaged in the practice of writing and/or painting in the style of stream-of-consciousness. Drip after drip, smear after smear, mixing the two – these techniques cumulatively defined the greatness of his work.  Loyal to his art and chronically dissatisfied with his performance, he lengthened his artistic stride to further his aesthetic interpretation of the world we live in. Continue reading Essay: Semiotics in Autumn Rhythm